So far so good, the temps of the people at my house are at normal levels and we have not heard of anyone close to us with symptom of Covid-19. I am an essential worker so I will get no time off, and I must continue to work through this with my colleagues within our large yet dangerously small workspace. Good luck to all of us!
At the same time Pamela and I just lost a family best friend, Lisa Gervers Johnson, not to covid but cancer. It was a long battle, we/she finally lost. Our family has one less beautiful soul amongst us, helping us to carry on, and yet we are better off for having had her as such a close friend. Her name will always have a more special place in our house, and will always be a refuge for those who knew her.
Pamela and I watched a film called Fantastic Fungi. We were able to rent it from here with an option to purchase, https://vimeo.com/ondemand/fantasticfungi
We are very interested in this mycelium consciousness. https://en.wikipedia.org/wiki/Mycelium
Listening to; Philip Glass’s Here Is My Pledge from King Lear, Blue In Green by Miles Davis with McCoy Tyner, State Of Mind by ELO, Reverie by Claude Debussy, Musical Chairs in 3/4 by The Residents, Fair Chance by Thundercat.
Days off are for getting things done that cannot be achieved on a work day, or so say the one at this keyboard. My guess for my mention of this concept is how far behind I am on all accounts.
Photo from Lake Nokomis, Mpls, MN.
Daily semi random music listening; Jeff Parker & The New Breed. One Earth, One People, One Love by Terry Riley and performed by Kronos Quartet.
Pamela and I just learned of world famous architect Bjarke Ingels from a new program on Netflix called Abstract: The Art of Design. https://www.netflix.com/title/80057883
As much as Pamela and I are against a system that allows goliaths of wealth a means of eventually owning everything, we have a guilty pleasure or affection for architecture, which of course is mostly the playground of the uber wealth mongers. So we understand if you will not stick your head down this particular rabbit hole.
This has also come to our attention, https://walkerart.org/magazine/indigenesis-gen-3-online-indigenous-lens-our-reality?utm_source=wordfly&utm_medium=email&utm_campaign=INS_WalkerAtHome_032420&utm_content=version_A
I finally got around to watching the film “The Rum Diary”. I liked it fine. It’s based on a true experience, and exposes the taking over the nicest parts of Puerto Rico by wealthy white Americans. It is also based on a novel by Hunter S. Thompson that was his second novel written in 1960’s but not published until 1998. I believe both film and book get tepid reviews.
This will now be a standard of modern machination. Now that it’s here we can say it should have been already, but as we are a gambling world we pushed luck as far as it would stretch. Now we must pick up the pieces and forge on with this new business model that includes a designation of quarantine proof. A model that includes the ability to survive complete stoppage. This would seem to be unattainable within the confines of a true capitalist society, and even the pretend one that we in the U.S. boast of, especially those who take most advantage of it. This is relatively new and unexpected by mainstream people who have less observance of scientific musings. Now that it is a real thing, and something we can expect to happen more frequently in our future, we must adhere to a new production standard that includes surviving total stoppage.
Right now I’m listening to Mum’s ‘Smell Memory’ from it’s Yesterday Was Dramatic Today is OK 20th anniversary reissue. Kronos Quartet are also named as co-authors of this piece, although no one would be able to guess this from listening to it, I do assume it to be true.
Then comes a song of Glass Piano played by Feico Deutekom, a piece called Facades. I share this with you a description from Orange Music.com,
Orange Mountain Music, the official channel of Philip Glass music, presents the new album MUSICAL OFFERING by pianist Feico Deutekom. This new album presents new piano arrangements of classic works by Philip Glass as well as pieces originally composed for piano by Glass himself. Performed by Feico Deutekom who has a long working relationship with Philip Glass and is one of the preeminent specialists of late-Minimalist music, this new album presents new and old music in ways it has never been heard before. The album starts with Deutekom’s arrangement of FACADES from Philip Glass’s landmark 1982 recording Glassworks. Dreamy and romantic in its original form, when played on piano, Facades takes on a new beautiful dimension.
The photo I share was taken in Chicago’s Lincoln Park neighborhood in March 2020. I hope to keep up with this blog on a more regular basis and I also hope it becomes usual that you feel to add to it with your commenting.
Good day, week, month, year and the rest of it.